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Friendship. --- Affection --- Friendliness --- Conduct of life --- Interpersonal relations --- Love --- Deleuze, Gilles, --- Friendship --- Deleuze, G. --- Delëz, Zhilʹ, --- Dūlūz, Jīl, --- Delezi, Jier, --- دولوز، جيل

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Actively engages love in the practice of philosophy

Love --- Religion --- Philosophy. --- Love. --- Love (Theology) --- Mental philosophy --- Humanities --- Affection --- Emotions --- First loves --- Friendship --- Intimacy (Psychology) --- Religious aspects --- Christianity. --- Philosophy --- Religious aspects&delete& --- Christianity

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The Verge of Philosophy is both an exploration of the limits of philosophy and a memorial for John Sallis's longtime friend and interlocutor Jacques Derrida. The centerpiece of the book is an extended examination of three sites in Derrida's thought: his interpretation of Heidegger regarding the privileging of the question; his account of the Platonic figure of the good; and his interpretation of Plato's discourse on the crucial notion of the chora, the originating space of the universe. Sallis's reflections are given added weight-even poignancy-by his discussion

Philosophy. --- Plato. --- philosophical, academic, scholarly, memorial, jacques derrida, interpretation, heidegger, question, platonic, good, discourse, plato, analysis, chora, universe, reflection, public, private, conversation, friendship, interpersonal, generosity, end of life, death, music, college, university, textbook, professor, classroom, student, educational.

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The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. This series of International Ford Madox Ford Studies was founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; and relates aspects of Ford’s work, life, and contacts, to broader concerns of his time. The present book is part of a large-scale reassessment of his roles in literary history. Ford is best-known for his fiction, especially The Good Soldier , long considered a modernist masterpiece; and Parade’s End , which Anthony Burgess described as ‘the finest novel about the First World War’; and Samuel Hynes has called ‘the greatest war novel ever written by an Englishman’. In these, as in most of his books, Ford renders and analyses the crucial transformations in modern society and culture. One of the most striking features of his career is his close involvement with so many of the major international literary groupings of his time. In the South-East of England at the fin-de-siècle , he collaborated for a decade with Joseph Conrad, and befriended Henry James and H. G. Wells. In Edwardian London he founded the English Review , publishing these writers alongside his new discoveries, Ezra Pound, D. H. Lawrence, and Wyndham Lewis. After the war he moved to France, founding the transatlantic review in Paris, taking on Hemingway as a sub-editor, discovering another generation of Modernists such as Jean Rhys and Basil Bunting, and publishing them alongside Joyce and Gertrude Stein. Besides his role as contributor and enabler to various versions of Modernism, Ford was also one of its most entertaining chroniclers. This volume includes twelve new essays on Ford’s engagement with the literary networks and cultural shifts of his era, by leading experts and younger scholars of Ford and Modernism. Two of the essays are by well-known creative writers: the novelist Colm Tóibín, and the novelist and cultural commentator Zinovy Zinik.

Friendship. --- Affection --- Friendliness --- Conduct of life --- Interpersonal relations --- Love --- Ford, Ford Madox, --- Hueffer, Ford Madox, --- Hueffer, H. Ford, --- Huffer, Ford, --- Chaucer, Daniel, --- Hueffer, Ford Hermann, --- Hueffer, Ford M. --- Hueffer, Ford H. --- Haig, Fenil, --- Friends and associates. --- Criticism and interpretation. --- English literature. --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Ford, Ford Madox

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In Northern Love, Paul Nonnekes pursues debates in psychoanalysis and cultural theory in pursuit of a distinctive conception of a Canadian masculinity. In close discussions of novels by Rudy Wiebe ( A Discovery of Strangers ) and Robert Kroetsch ( The Man from the Creeks ), Nonnekes ranges from Hegel to Lacan, and Butler and Kristeva to Žižek, eliciting an evolving conception of love characteristic of the Canadian cultural imaginary.

Masculinity --- Love --- Masculinity in literature. --- Love in literature. --- Indians in literature. --- Masculinit --- Amour --- Hood, Robert (Personnage fictif) --- Peek (Personnage fictif) --- Masculinité dans la littérature. --- Amour dans la littérature. --- Indiens d'Amérique dans la littérature. --- Social aspects --- Psychological aspects. --- Aspect social --- Aspect psychologique. --- Wiebe, Rudy, 1934 --- -Kroetsch, Robert, --- Characters --- Robert Hood. --- Peek. --- Masculinity (Psychology) --- Indians of Central America in literature --- Indians of Mexico in literature --- Indians of North America in literature --- Indians of South America in literature --- Indians of the West Indies in literature --- Masculinity (Psychology) in literature --- Affection --- Hood, Robert --- Peek --- Hood, Robert (Fictitious character) --- Peek (Fictitious character) --- Sex (Psychology) --- Men --- Emotions --- First loves --- Friendship --- Intimacy (Psychology) --- Masculinité --- Wiebe, Rudy Henry, --- Kroetsch, Robert, --- Kroetsch, Robert Paul, --- canadian masculinity --- masculinity --- norther masculinity